The Getty Center

I was in Los Angeles so I could not miss the Getty Center, especially as the admission was free. I liked it very much – it is a must for anyone visiting L.A.

The Getty Center is operated by the J. Paul Getty Trust, which is the world’s wealthiest art institution. The trust was established in 1953 by oilman J. Paul Getty, who was one of the richest men in America.
It was the year the Cuban Revolution began, and one of its aims was to expropriate the wealth of people like J. Paul Getty. There is a certain sense of irony in that the exhibition currently (actually it closes today) at the Getty Center is “A Revolutionary Project: Cuba from Walker Evans to Now.”
The image is a poster for an exhibition titled "A Revolutionary Project: Cuba from Walker Evans to Now." The poster features a historical photograph of a group of people, possibly revolutionaries, marching together. The text on the poster includes "L2 Terrace" at the top, and the exhibition dates "May 18-October 7, 2011" at the bottom. The word "CUBA" is prominently displayed in large orange letters in the center of the poster.
One of the sections of the exhibition, “1959: The Revolution,” contains Fidel Castro, Che Guevara and other propaganda photos. J. Paul Getty is probably turning in his grave.

If I had known that Getty had written books, I would have looked for his book, “How to Be Rich,” and taken a photo of it next to this one (the one with Che Guevara on the cover), just for the effect. The image shows a display of various books, magazines, and souvenirs related to Cuba. Prominently featured is a large black-and-white poster of Che Guevara with the text "CUBA KORDA." Other items include books with titles such as "Before Night Falls" and "Cuba," as well as postcards, notebooks, and a yellow book with an emblem on the cover. The display appears to be in a store or a market, with a white T-shirt hanging in the background.

The image is a black and white photograph of a man wearing a beret, with the text "CUBA" in large gray letters and "KORDA" in large orange letters below the photograph.

But wait a moment, the book, “How to Be Rich,” is not in the museum store (did a search on its website)!!! J. Paul Getty is turning again in his grave. However, the store has his other two books, “As I See It” and “The Joys of Collecting”, it isn’t so bad.

On one side of the poster, the exhibition about revolutionary Cuba; on the other side, a religious exhibition. The image shows a three-sided display stand located outdoors on a paved area with trees and greenery in the background. The display features two posters. The poster on the left side has the text "The Word" and appears to be related to a religious or gospel theme, with an image of a religious figure. The poster on the right side has the text "CUBA" and features a black-and-white photograph of a person wearing a hat. The display is set up under a large umbrella providing shade.
The image shows a poster displayed on a stand outdoors. The poster is titled "A Revolutionary Project: CUBA From Walker Evans to Now." It features a black and white photograph of a person wearing a hat and smoking a cigar. The background of the poster is red and yellow. There is a small cup with a straw placed on the ground next to the stand.
A vertical banner is displayed outdoors on a paved surface. The banner features medieval-style artwork depicting religious figures. The text on the banner reads: "In the beginning was the Word. Medieval Gospel Illumination." Additional text at the top of the banner indicates the location and dates of the exhibition: "Museum, North Pavilion | August 30 - November 27, 2011." The background includes a scenic view with hills and greenery.
Did they do it on purpose? Just to demonstrate that the Center is neither left nor right nor center, and it wants to cater to all tastes? Or it was just by accident?

People like to throw money in the fountain and, talking with one of the guides, she said the coins create problems, like changing the acidity of the water. There is also lots of work involved to collect and separate the coins (from all over the world) and donate them, as the Center is not allowed to keep the money.
The image shows a landscaped area with a large, curved stone wall that has a waterfall cascading down into a shallow pool below. The pool has neatly trimmed, circular bushes and greenery around it. In the background, there are trees and a modern building with a rooftop garden. A few people are visible near the top of the waterfall, enjoying the scenery. The sky is clear and blue, indicating a sunny day.
I asked why not put a sign (armed guards would be overkill), like below, saying not to throw money into the fountain, but she said people would still do it. I disagreed – most people would comply, especially if the reasons were given – and it seemed strange that the Center doesn’t do such a simple thing as a warning sign.
A rectangular sign with white text on a dark background is placed on a stone surface. The sign reads, "For your safety, please do not sit or stand on the wall."

However, on the Getty Center blog, the post, “Change: Collecting Coins at the Getty Museum,” doesn’t say anything about the problems; in fact, it seems to endorse the wishing-well tradition. So now I understand why there is no sign: they’ve turned it into an attraction. I watched the video provided and found it interesting, what the commentator said: they used to collect a 5 gallon bucket worth of money bi-weekly but, since the economic downturn, it is now a 2 gallon bucket being donated.

Coins are thrown into a fountain for luck, but, due to the crisis, people have less money so they throw in fewer coins and this means less luck so, subsequently, less money, which, again, only deepens their own economic crisis and, again, they throw in even fewer coins, meaning even less luck. At times like this, people should throw in more coins in order to break the vicious circle.

A large, abstract bronze sculpture is displayed outdoors on a stone platform. The sculpture appears to be a stylized human figure with a rounded, voluminous form. In the background, there is a clear blue sky, a tree, and some architectural elements, including a railing and stone walls. The setting suggests an open, public space, possibly a museum or a park.

The image shows an outdoor area with three black sculptures of human figures placed on different levels of a stone staircase. The sculptures appear to be abstract representations of human forms. There is a sign placed on one of the steps, but the text on the sign is not clearly readable. The area is surrounded by a stone wall and there is a metal handrail along the staircase. Some greenery is visible in the background.

The image shows an outdoor area with several abstract sculptures. In the foreground, there is a large, dark-colored abstract sculpture on a pedestal. In the background, there are more sculptures and a few people walking or standing near the sculptures. The area is surrounded by trees and a building with a light-colored facade. The overall scene appears to be a sculpture garden or an outdoor art exhibit.

A sculpture of a two-faced head, likely representing the Roman god Janus, is shown. The sculpture is dark in color and features detailed hair and facial features on both faces, which are positioned back-to-back. The base of the sculpture is a dark, speckled pedestal. The background is a solid red color.

A dark bronze bust of a woman's head is displayed on a marble pedestal in an art gallery. The gallery has wooden floors and red walls, with framed paintings hanging in the background. The bust features detailed hair and a serene facial expression.

The image shows a museum placard with information about a sculpture titled "Double Head," created around 1543. The sculpture is attributed to Francesco Primaticcio, an Italian artist who lived from 1504 to 1570. The placard explains that the sculpture was cast from the female head of the ancient marble statue "Cesi Juno" located in Rome's Capitoline Museums. It also mentions that the sculpture was commissioned by King Francis I of France and was part of a garden at Fontainebleau. The text highlights the sculpture's historical significance and its influence on various artists and designers, including Pierre Crozat and Yves Saint Laurent.

A bronze statue of a child riding a horse is displayed outdoors on a sunny day. The child is sitting upright on the horse, which has an elongated neck and a stylized, abstract form. The background features a terrace with plants, a bench, and a person standing near a railing, with mountains visible in the distance.

The image shows a bronze statue of a person riding a horse. The statue is placed in an outdoor area with modern architectural elements, including white stone walls and columns. There are potted plants and greenery around the statue, and the sky is clear and blue.

The image shows a dark-colored plaque with engraved text. The text includes names and dates, and there is a small figure of a person walking with a cane on the right side. The text also includes a message that says "Please do" but the rest of the message is not fully visible.

The image shows a dark bronze statue of a person in a running pose. The statue is located outdoors, under a pergola that casts shadows on the ground. In the background, there are some buildings and greenery, with a hill visible in the distance. The overall setting appears to be a garden or a courtyard.

The image shows a garden scene with three large, tree-like metal structures supporting flowering vines. The structures are arranged in a row, creating a shaded area beneath them. In the background, there are various plants, trees, and people walking or sitting on benches. The sky is clear and blue, indicating a sunny day.

The image shows a landscaped garden with two large, tree-like structures covered in vibrant pink flowers. In the background, there is a modern building with white and stone architectural elements. The sky is clear and blue, and there are a few people visible in the garden area, enjoying the outdoor space. The garden is lush with various plants and trees, creating a serene and picturesque environment.

The image shows a beautifully manicured garden with a circular hedge maze design. The hedges are neatly trimmed and form intricate patterns. Surrounding the maze is a stone pathway, and in the background, there are various plants, flowers, and trees. The garden appears to be well-maintained and is likely part of a larger landscaped area.

The image shows a well-maintained garden with a circular hedge maze in the foreground. The maze is composed of neatly trimmed green hedges. In the background, there are various plants and flowers, along with a row of trees. The sky is clear and blue, indicating a sunny day.

The image shows a landscaped garden with a variety of plants and flowers. In the foreground, there is a curved stone wall bordering a water feature. Behind the garden, there is a row of trees and an open field under a clear blue sky.

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